About this project
In this story, women are not princesses; they are the castle. Get to know the strength of the women from the Sants Castells team.
Show list of needs
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Minimum | Optimum |
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Edición
-Calificación y organización del pietaje.
-Transcripción de entrevistas.
-Montaje del material. la edición es una parte fundamental del documental para crear una narrativa coherente para el espectador.
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€ 3.400 | |
Postproducción de video
-Corrección de color. Ajusta los colores de las diferentes tomas y crea un estilo estético que da unidad al documental.
-Diseño gráfico. Elementos gráficos que den soporte a la narrativa, títulos y créditos.
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€ 3.300 | |
Postproducción de audio
-Postproducción de audio. Los diálogos, los efectos sonoros, los sonidos ambientales y la música crean una banda sonora.
-Remasterización de audio. La mezcla de todos los elementos de la banda sonora.
-Música de librería o música original. Dependiendo de la cantidad recaudada se optará por música de librería o se creará música original.
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€ 3.200 | |
Música original
Música original compuesta específicamente para el documental.
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€ 2.000 | |
Animación 2 o 3D
Animación en 2D o 3D. Dependiendo de lo recaudado se optará por hacer animaciones que ayuden a explicar las posiciones de los integrantes de un castell.
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€ 1.500 |
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Minimum | Optimum |
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Postproducción
-Discos de almacenamiento. Necesitamos discos duros externos para hacer al menos 3 copias de seguridad del material filmado.
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€ 2.500 |
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Minimum | Optimum |
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Comisiones, transferencias y envíos
Esta campaña genera costos adicionales, como son las comisiones bancarias, de PayPal y de la plataforma que hace posible este proyecto y las recompensas y sus envíos.
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€ 2.100 | |
Comisiones, transferencias y envíos
Esta campaña genera costos adicionales, como son las comisiones bancarias, de PayPal y de la plataforma que hace posible este proyecto y las recompensas y sus envíos.
|
€ 1.500 | |
Total | € 14.500 | € 19.500 |
General information
Every two years, the Concurs de Castells is held in Tarragona, where the best castells teams from Catalonia compete. This documentary offers an intimate, feminist perspective on the girls, teenagers, and adult women who are part of the Sants team in Barcelona. It follows their daily lives, their participation in rehearsals, and their preparations for the Concurs de Castells 2024, alongside their motivations, dreams, fears, and the history of the Sants neighborhood. It tells a legacy of empowerment, roots, and identity—the heritage of the textile workers’ struggle in the neighborhood, passed down to the women of the Sants castells team.
Main features and goals of the crowdfunding campaign
Pit i Ovaris, the Women of the Sants Castells Team, is a documentary that will tell the story of the girls, teenagers, and adult women of the team, with the aim of highlighting their role in the cohesion and strength of the castells tradition— a role that has often been overlooked due to the projection of castells as a “male” activity, largely because of the physical strength it involves.
In this regard, Pit i Ovaris proposes a shift in perspective and calls for a reevaluation of the role of women in contemporary castells.
There are two features that make the Sants team unique. One of them is its strong family and neighborhood composition. The other, linked to the first, is the emphasis on safety and doing things well in the daily narrative of the team. The Borinots —and Borinotas— do not build a castell just to earn points, but to complete it, because what matters is the feina ben feta (well-done work). In this process, the role of women is essential. The girls who climb to the top of the castell as enxaneta or acotxadora; the two young women who, as they grew up, became dosos; the women who, over the years, became cap de canalla or cap de colla; and the older women, like Lali, who in the late 90s became president of the team — something rare in an environment then dominated by men — are the ones who have made the castells higher and stronger. However, when the media talks about castells, women often have less visibility, and their names are rarely mentioned or they are rarely presented as the protagonists. The women of the team are also the ones who proudly remember the role of the workers in the old textile factories of Sants, Hostafrancs, and La Bordeta, explaining that the Borinota shirt is grey in honor of those workers.
Objectives:
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To claim the role of women in the castells tradition.
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To raise the visibility of the participation of girls, young women, and adult women who are part of the Colla Castellera de Sants, putting them at the center of the conversation and visual discourse about the practice of castells. This will reflect the dynamics of interaction and the values of their neighborhood and community, and show the contribution of the inclusion of women in castells culture.
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To establish a connection between the history of Sants, a working-class neighborhood and the birthplace of an important chapter in the struggle for women’s labor rights in Barcelona, and the Colla Castellera de Sants, an organization where family and neighborhood life is the core not only of its members' artistic and cultural development but also of the construction of their identity within and outside the team, in the neighborhood, and in other aspects of their personal lives.
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To portray the girls, teenagers, and adult women of the Colla Castellera de Sants, the Borinotas, emphasizing the continuity of family participation, especially of women, over the three decades of the team’s existence, and how they understand discipline, effort, self-esteem, and the safety net of the community.
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To spark a conversation that will continue and grow over the next few years, a conversation where women are the protagonists.
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To showcase the tradition of castells beyond Catalonia.


Why this is important
This documentary aims to first appeal to those who live in the Sants district and the city of Barcelona, inviting them to discover the women from the Sants Castells team from a different perspective. However, it is conceived as a project with international reach. The universal values presented in this documentary resonate with audiences worldwide, at a time when the equal participation of women in sports traditionally seen as male-dominated has become a necessary topic of conversation. This conversation is reflected in calls for wage equality, better media representation, and recognition of women's contributions to productive and market dynamics. The goal is for the documentary to be distributed internationally and participate in the circuit of documentary film and video festivals in Europe and other international spaces.


Team and experience
Diego Sedano, director and photographer, has an extensive career as a documentary filmmaker. Diego has dedicated more than two years to photographing Castells, primarily focusing on the Sants team – the Borinots. During this time, he attended all their rehearsals and performances, got to know its members, and discovered that this team is different from the others; there, among the Borinotas, was a story to tell.
Eileen Truax, a well-known journalist, is also a screenwriter and interviewer.
Eileen and Diego have worked together on projects for more than 20 years. They founded Malaespina Producciones in Los Angeles, CA, a production company dedicated to creating documentaries about immigrant communities in the United States, as well as commercials for Spanish-language television. Part of the team used for the production of this documentary comes from that company.
The documentary is 80% complete. The funds raised will go toward covering postproduction costs.


Social commitment

Gender Equality
Pit i Ovaris, the Women of the Sants Castells Team, is a story about the role that girls, teenagers, and adult women play both in a castell competition and within their own team. But it is also a story of roots and wings, of community and cultural identity, and of female empowerment. The universal values presented in this documentary resonate with audiences worldwide at a time when the equal participation of women in sports traditionally seen as male-dominated has become a necessary topic of conversation. This conversation is reflected in demands for wage equality, better image representation, and recognition of women's contributions to productive and market dynamics. In this regard, we believe this is a universal story that sends an inspiring message to girls and teenagers, and also calls attention to those in other disciplines or sports about the importance of recognizing and revaluing the role of women in these activities.