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With your donation, you’ll help make it possible for Born in Gaza 2 to be completed and brought to light.
Thank you for being part of this historic testimony.
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About this project
The documentary Israel doesn’t want you to see
Show list of needs
Material
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Minimum | Optimum |
|---|---|---|
|
Equipment destroyed by Israeli attack
Sony Alpha III camera, audio recorder, 2 lights.
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£ 4,264 | |
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Rental of camera and lenses, microphone, audio recorder, and boom pole
From June 20 to August 30: Rental of Sony PXW FX9 camera equipment, 6 V-lock Sep batteries, Pearlescent filters 1/8 and 1/4, shoulder rig, matte box, remote control, Ronford tripod set, O’Connor 2560 fluid head, Sony LMD-A170 monitor, Laowa Nanomorph lens set (27, 35, 50, 65, 80 mm), microphone, audio recorder, and boom pole.
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£ 23,876 | |
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Library music license
Library music
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£ 1,023 | |
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Hard drives
2 x 1TB hard drives for dumping shooting material
2 x 10TB hard drives for the editing suite
2 x master hard drives
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£ 2,217 | |
|
Archival footage
Archival footage rights
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£ 10,232 |
Task
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Minimum | Optimum |
|---|---|---|
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Technical team salaries and social security expenses
From June 22 to August 30: salaries for the production team, local fixer, director of photography, camera operator, lighting technician, sound technician, and video editor.
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£ 49,457 | |
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Color correction
From October 1 to 20: Color correction / color grading.
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£ 4,690 | |
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Subtitling
From October 20 to 30: Translations and insertion of Spanish and English subtitles.
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£ 1,705 | |
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Audio description and subtitles for the deaf and hard of hearing
Creation of subtitles for the deaf and hard of hearing, and audio description.
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£ 1,023 | |
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Digital effects
From September 1 to 30: CGI and corrections.
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£ 3,837 | |
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Graphics
From September 1 to 30: Design of on-screen titles, graphic elements, and credit sequences.
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£ 3,155 | |
|
Conforming
From November 1 to 15: Replacement of low-resolution images with high-resolution files and creation of the first master copy.
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£ 1,705 | |
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Lighting equipment
From June 20 to August 30: Lights, reflector, tripods, and filters.
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£ 2,558 |
Infrastructure
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Minimum | Optimum |
|---|---|---|
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Airfare, accommodation, and travel expenses for the technical team in Egypt and Jordan.
From July 14 to 25, 2025 – trip for a 6-person team including: director, producer, Yousef, Maysun, camera operator, and sound technician.
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£ 4,690 | |
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Filming locations / shooting spaces and permits
From July 1 to August 15: Interview studio rental in Madrid, parking permits, and access permits for Jerusalem.
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£ 2,558 | |
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Editing room
From July 1 to September 30: Editing room rental, including full setup with editing computer, monitor, and Final Cut software.
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£ 4,093 | |
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Sound editing and mixing studio
From October 1 to 20: Sound editing, sound effects, music, and audio mixing.
|
£ 6,822 | |
| Total | £ 4,264 | £ 127,905 |
Necessary
Supplemental
General information
"We Are All Gaza" is a feature-length documentary born from an urgent need: to face head-on what is happening in Gaza, to give a face and voice to those who are suffering, and to preserve forever the memory of the victims of a genocide taking place in real time, before the eyes of the world.
This project is the natural continuation of Born in Gaza (2014), a documentary that portrayed with dignity and sensitivity the impact of the Israeli offensive on the civilian population, especially children. Those ten protagonists—Mohamed, Malak, Bisan…—became symbols of humanity resisting even in the midst of horror. Today, a decade later, We Are All Gaza resumes that search in an even more devastating context, with over 35,000 dead, the majority of them civilians.
But this is not just a film about Gaza. It is a mirror that reflects who we are as a society. How do we respond to the pain of others? What do we do when victims are treated as if they were guilty? Where are empathy, justice, and memory?
Far from sensationalism and graphic violence, the documentary relies on silence, pause, and attentive listening. We observe the faces of survivors. We enter their homes, their tents, the few remaining intimate spaces—with respect. We use fixed shots, a 24mm lens, and real sound textures. There is no music to dictate emotions, no artifice. Only reality.
We Are All Gaza also documents something unprecedented and terrifying: the use of artificial intelligence to select human targets, and the constant psychological warfare endured by Gaza’s population. It is a denunciation. But it is also a tribute: to the dignity of those who resist, to the journalists who risk their lives to tell the truth, and to the viewers around the world who refused to look away.
This documentary is made by and for them. By and for all of us. Because, as the title says: We Are All Gaza.
Main features and goals of the crowdfunding campaign
This feature-length documentary aims to preserve the memory of Gaza’s civilian victims through a deeply human lens. Without resorting to graphic imagery or political debates, it seeks to create a space for collective reflection, to tell the personal stories behind the numbers, and to denounce the use of technologies, such as artificial intelligence, for selecting human targets.
The documentary is structured around three main narrative threads:
- The life journeys of the protagonists from Born in Gaza.
- The physical and psychological devastation of the territory and its people.
- The role of art as a tool for resistance and remembrance."Born in Gaza 2" is an independent and deeply committed documentary that seeks to create a historical record of the situation in Palestine, revisiting the lives of the children featured in the first film.
Shot under extreme conditions: censorship, threats, and total blockade, the film aims to expose the hidden reality of the conflict, denounce human rights violations, and raise global awareness.
Through public participation, it becomes a tool of resistance and collective memory.
Why this is important
"We Are All Gaza" was born from the drive of thousands of people around the world who, after watching Born in Gaza again, asked what had happened to its protagonists. It is also a response to the silence of governments, media outlets, and major institutions in the face of the suffering of the Palestinian people.
This film is aimed at a global audience that seeks to understand, to take action, and to refuse to look away. It is for those who believe in the power of cinema as collective memory, as a political tool, and as an act of humanity. And especially, for those who feel that Gaza is not as far away as they want us to believe.
Information on Tax-Deductible Donations:
- For individuals: Donations to the Goteo Foundation allow you to deduct 25% of the donated amount from your total personal income tax (IRPF) liability.
- For legal entities: Companies can deduct 35% of their donations to the Goteo Foundation from their total corporate income tax.
You can check how much you could deduct using Goteo’s tax calculator: https://www.goteo.org/calculadora-fiscal
Script Hernán Zin
- Director: Hernán Zin
- Producer: Diego Pignataro
- Director of Photography: Irene García
- Camera Operator: Ignacio Barreto
Gaza Team:
- Consultant: Bisan Owda
- Producer: Yousef Hammash
- Producer: Wael Dahdouh
- Photography: Samar Abu Elouf
The Gaza team is made up of local journalists and filmmakers with whom Hernán has previously worked. A courageous, committed, and resilient group of professionals, supported from Spain by a team of experts in production, editing, sound, and communications.
Social commitment
Independent journalism
"Born in Gaza 2" is a documentary investigation born out of editorial independence and a deep commitment to truth. In a context marked by censorship and political pressure, this project seeks to report freely, uncover what others try to hide, and give a voice to the voiceless, thanks to the direct support of citizens.
SDG 16: Peace, Justice and Strong Institutions
This project defends freedom of expression and the right to truth in a context of conflict and repression. Through the power of documentary storytelling, it exposes human rights violations and builds an independent historical testimony, promoting justice, transparency, and empowering civil society to confront violence and impunity.